The rule of thumb always seems to be: Don’t be negative toward your bosses or your predecessors or anyone else.Įven when some films curdle into critically sour messes (see: Suicide Squad) or directors leave a project (see: Ant-Man), the public statements from those involved remain polite and unspecific. In short: The Last Jedi, according to Abrams and two of the movie’s stars, failed Star Wars’ biggest fans.Ībrams’s open criticism of The Last Jedi makes for a strange contrast to our general expectations of what media-trained celebrities say on press tours. “Even as a normal person in the audience, I wanted to see where that story was going,” Boyega said. Boyega said he was glad that Abrams would get to finish the tale he’d begun in Episode VII. “I cried,” Ridley said, explaining that the director brought a comforting sense of structure and security. Their reactions to Abrams’s return, as they described, were dramatically grateful.īut when it was announced that Abrams was indeed returning, his actors breathed sighs of relief. “I don’t think that people go to Star Wars to be told, ‘This doesn’t matter.’”Įven John Boyega and Daisy Ridley, two of the central stars of the trilogy, joined the side of the Last Jedi haters in that same Times interview. So much so, in fact, that The Force Awakens was often considered to be a “remake” of the very first Star Wars film, following similar story beats of a hero awakening to their mystical powers.Ībrams told the Times that he questioned The Last Jedi’s turn away from the straightforward Star Wars narrative, to instead be “full of surprises and subversion and all sorts of bold choices.” It was “a bit of a meta approach to the story,” Abrams said. The Last Jedi, Abrams said, was “a story that I think needed a pendulum swing in one direction in order to swing in the other” - a deviation from the primary plot that he set up with The Force Awakens, which was very much in keeping with the beloved original trilogy of films. Perhaps it’s because of his corporate dependability that Abrams made sure to distance his Star Wars film from that of Rian Johnson, director of 2017’s controversial sequel The Last Jedi, during a big feature spread with the New York Times. And that tends to mean that, when it comes to making a big-budget film, he’s dependable. Abrams at the helm, who can be almost clinical when it comes to giving fans great action-adventure movies prior to Star Wars, he remade Star Trek into a bonafide blockbuster franchise. It also marks the return of director J.J.
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It’s the ninth and final movie in the Skywalker saga, which began in 1977 with A New Hope. It’s the last movie in the current, blockbuster Star Wars trilogy, which began in 2015 with The Force Awakens. Or, in short, let passionate people, like the ones behind this fan film, bring true Star Wars to life.When it comes to marketing and promotion, The Rise of Skywalker might not seem like it had to work too hard.
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So if Disney is reading this, head my advice: your new Kenobi series should get take notes from this and The Mandalorian. It is fan fiction like this that gives me and others new hopes that perhaps Star Wars can get back on track. It is with Obi-Wan and it is produced incredibly well, for a fan film at least. If you are into Star Wars then this little gem is a must watch. The plot is engaging and managed to raise the stakes in a short time, the act is brilliant, fighting very realistic, cinematography and Tatooine scenery absolutely beautiful, costumes and props entirely believable, and the soundtrack (recorded by Budapest Scoring Orchestra) astonishing! For Satterlund, this is not first Star Wars fan film, but certainly the one that audiences like the best and judging from the rating on imdb, you can certainly say that he managed to improve over the last couple years. Obi-Wan Kenobi faces unforeseen threats on Tatooine as he watches over young Luke Skywalker. Good old Star Wars atmosphere and a fan film that feels like high-budget production!